Research Projects in the Department of Archaeology

The archaeology of Sub-Saharan Africa is rapidly gaining momentum, thanks to renewed efforts to decolonise and empower indigenous narratives of agency and creativity that have been bolstered further by the increasing application of scientific methods. However, important challenges remain. One is the scarcity of training and archaeological science capacity in sub-Saharan Africa, which is necessary to make these efforts sustainable.

The aim of the ERC project Beasts to Craft (B2C) is to document the biological and craft records in parchment in order to reveal the entangled histories of improvement and parchment production in Europe from 500-1900 AD.

The last decades have witnessed marked achievements of STEM in understanding the remains of humans, animals, and plants from the past by analyzing different materials, both inorganic and organic. These developments have opened-up the great potential for increasing our understanding of cultural heritage, and hence for developing better strategies for its protection and management.

The Mapping Africa’s Endangered Archaeological Sites and Monuments (MAEASaM) project, funded by Arcadia charitable foundation, is documenting and compiling a trans-national inventory of Africa’s rich archaeological heritage, including many previously unidentified sites and monuments. Particular emphasis is being given to mapping and recording sites under threat, whether from urban growth, conflict, sea-level change or infrastructure development, among other adverse impacts.

The Mapping Archaeological Heritage in South Asia (MAHSA) project, now in its Phase 2, will continue to document the endangered archaeology and cultural heritage of the Indus River Basin and the surrounding areas and publish this information in an Open Access Arches geospatial database. Over the course of Phase 2, the project will expand its scope to include the Ganges River Basin, Baluchistan and the coastal areas of India and Pakistan.

Cambridge is home to world-leading researchers across archaeological science, technical art history and heritage science, based at Department of Archaeology, the Fitzwilliam Museum, and the Hamilton Kerr Institute, among others. There are multiple synergies across these institutions in terms of research methodologies, goals and ambitions in the field of technical and scientific investigation of works of art and archaeological objects.

This project will challenge the extant model on the beginning and spread of Islamic glazes, which asserts that they were all derived from the Middle East and spread with Arab expansion, and that new technologies were adopted passively by conquered societies. It will include a variety of glazed ware types dating to the 9^th to 13^th centuries CE from different regions of Central Asia.