Research Projects in the Department of Archaeology

At the intersection among the arts, science, and technology, printing is widely recognised as the invention of the millennium. However, and in spite of a resurgence of traditional typographic methods among artists and craftspeople, letterpress equipment and technology face an uncertain future.

The above photo shows: A left lateral aspect of a cranium from Catignano (a Middle Neolithic village in Abruzzo), showing two healing trepanations on the left parietal bone and healed fracture on the left frontal and parietal bones of a 40-50 year old female

Archaeological data is often biased and incomplete. This is a well-known issue for most archaeologists. Although studies of specific sites and small regions can have this into account, the effect of this problem increases exponentially as archaeologists expand their chronological and geographic frame, and try to answer questions related to general dynamics and broad human processes.

Analysis and evaluation of bronze axe hoards during the Late Bronze Age - Iron Age transition. The project investigates provenance, chronology, technological and cultural aspects of bronze deposition of the European Atlantic region.

The bioarchaeological characterization of disabled individuals from the past is particularly challenging because it pushes the boundaries of the interpretation of pathologies recognisable on human remains. With my project, namely B-CARED, I will investigate the bioarchaeological approaches for recreating “Past to life”. In so doing, the osteobiographical approach offers a possible framework, in which human remains are used to understand not only the embodied experience during life but also seeing people as playing diverse social roles (e.g.

The aim of the ERC project Beasts to Craft (B2C) is to document the biological and craft records in parchment in order to reveal the entangled histories of improvement and parchment production in Europe from 500-1900 AD.

A multidisciplinary project investigating the interrelations between crop plants, insect pollinators, and human management in prehistory.

In Western Europe the main use for artificial monuments out of stone, wood or earthy materials extends from the Late Neolithic to Early Bronze Age (4th and 3rd millennium BCE).  This unique period of landscape adaptation has a lasting, visible imprint on the present. However, as monuments are by definition visual landmarks, there is currently a lack of research regarding the perceptive clues offered by these structures to the people who built and frequented them.

Our knowledge of human evolution is limited by several factors. One is tightly linked to the nature of the fossil record, as bones of our extinct human relatives and other primate species rarely appear in archaeological and paleontological sites, and when they do, they very commonly appear in an isolated fashion and/or are highly fragmented. These factors more severely affect studies of limb bones, which have been vaguely analysed or even ignored in certain cases.

The last decades have witnessed marked achievements of STEM in understanding the remains of humans, animals, and plants from the past by analyzing different materials, both inorganic and organic. These developments have opened-up the great potential for increasing our understanding of cultural heritage, and hence for developing better strategies for its protection and management.

A large-scale multi-disciplinary study of pre-Roman iron technology in the Iberian Peninsula.

Taking as its starting point the radically new perspective offered by recent archaeological discoveries at Rendlesham in SE Suffolk, and with the East Anglian kingdom as the primary case study, this interdisciplinary project (running 2017-2020) aims to establish a new understanding of pathways to territorial lordship and regional kingship in early post-Roman eastern England through analysis of the development and role of central-places in society, economy, politics and ideology, and the networks of which they were a part.

The project focuses on the models of circulation of raw materials during the Iberian Late Prehistory, as well as the use and social value given to the different materials, with special attention to metals and amber. 

Stone tool artefacts represent the only continuous material record from early hominins across a period of three million years. Lithics provide information about early human technological adaptations and innovations, and in turn, understanding these technologies allows insights into early human behaviour. This assessment is based on the fact that lithic artefacts reflect (un-)conscious decision-making. Tool design, for instance, is characterised by the selection of the raw material and choices about overall tool morphology, edge retouch, and other factors.

How did the biomechanics and ergonomics of the human hand influence the use and production of Palaeolithic stone tools? Traditionally, stone tools have been analyzed for their morphological properties and technological characteristics to infer the cognitive and social evolution of early hominins and modern humans. However, the role of musculoskeletal aspects in the effective use of these tools has been largely overlooked, resulting in an incomplete understanding of Palaeolithic technologies.

The project Science @ Tarquinia aims to provide the complementary scientific support for the long-standing study of the ancient Etruscan city of Tarquinia by the University of Milan. This Unesco World Heritage site is well known for its magnificent painted tombs, its city walls, the Temple of Ara Regina and the monumental zone where the University of Milan has worked for over 30 years. The collaborative work (which started in September 2019) includes flotation, micromorphology, AMS dating, isotopic analysis and aDNA.

Cambridge is home to world-leading researchers across archaeological science, technical art history and heritage science, based at Department of Archaeology, the Fitzwilliam Museum, and the Hamilton Kerr Institute, among others. There are multiple synergies across these institutions in terms of research methodologies, goals and ambitions in the field of technical and scientific investigation of works of art and archaeological objects.

This project will challenge the extant model on the beginning and spread of Islamic glazes, which asserts that they were all derived from the Middle East and spread with Arab expansion, and that new technologies were adopted passively by conquered societies. It will include a variety of glazed ware types dating to the 9^th to 13^th centuries CE from different regions of Central Asia.