Research Projects in the Department of Archaeology

Image: Pastoralist rock art, Serengeti, Tanzania. Photo: P. Lane.

‘BODIES MATTER’ focuses on the material culture of bodies (and the self) in colonial borderlands by comparing three frontiers at various periods and geographies: the Spanish Empire’s southern borderland in the Americas in the AD 16th-19th century, the Punic western Mediterranean in the 6th-2nd century BC, and the Islamic-Christian Ethiopian frontier between the AD 10th and 15th century.

The Community Heritage and Education for Sustainable Development in Tanzania project is a continuation of some of the activities initiated by the AHRC-funded Co-production Networks for Community Heritage in Tanzania (CONCH) project (https://www.conchproject.org/), that ran in 2018 and 2019. This aimed to identify how heritage protection, conservation and interpretation contribute to sustainable development.

Co-production Networks for Community Heritage in Tanzania.

This project is documenting the knowledge, skills, and practices of traditional dry-stone masonry at Great Zimbabwe, southern Zimbabwe. Once the capital of an Iron Age empire, Great Zimbabwe is an ancient settlement complex with dry-stone structures covering over 720 hectares. Around it, local communities live and maintain ancestral connections to the site. The most outstanding material remains are stone structures, built without use of mortar or any binding material.

HEAAT aims to develop a multidisciplinary, theory-focused and data-driven research framework and agenda for East African historical archaeology that will privilege the research of the internal dynamics of African communities and account for the region’s history of complex identities. By investigating a 200-year, high-resolution record of material culture and identity change among the Ilchamus community in Kenya, from c.

Excavations at the settlement adjoining the prehistoric sanctuary on Keros in the Cycladic Islands of Greece, the earliest maritime sanctuary in the world (2750-2240BC).

This project integrates maritime archaeology, history, geophysical survey and anthropology to investigate illicit trade between the Caribbean islands St. Eustatius, Saba, St. Thomas, St. Bartholomew and St. Maarten from 1816 to c.1840 with the aim of understanding:

-The entanglements between international, regional and local factors that drove these islands to engage in illicit trade.

-How these islands functioned together as a network for illicit trade, smuggling and laundering, the processes involved, and how long it occurred.

This project seeks to develop a theoretical and practical understanding of the relationship between reparations, responsibility and victimhood in transitional societies.

The Rising from the Depths Network aims to identify ways in which the marine and maritime cultural heritage of Kenya, Tanzania, Mozambique and Madagascar can be used to benefit coastal communities in these countries. Many of these communities are among the poorest in the region and are especially vulnerable to the impacts of geopolitical turmoil and environmental change.

This is a pilot project aimed at developing an interdisciplinary approach to research on the legacies of enslavement and emancipation in Senegal, West Africa.

An international and interdisciplinary investigation of the interplay and dynamics of winter and summer rainfall systems and human adaptation to the ecological conditions created by those systems.

This is a collaborative research project between archaeologists and pastoralist community organisations on the long-term history of indigenous water management and well digging in northern Kenya and southern Ethiopia. In these arid and semi-arid parts of eastern Africa, wells form a key component of pastoralist biocultural heritage. Community identities and understandings of the landscape are entwined with knowledge – sometimes contested – about water sources, and particularly about the wells dug across the region by earlier generations.

This project analyzes the historiography of the Yangshao Culture and its functioning as a heritage icon for the Chinese nation as well as its impact on various societal concerns.