Research Projects in the Department of Archaeology

At the intersection among the arts, science, and technology, printing is widely recognised as the invention of the millennium. However, and in spite of a resurgence of traditional typographic methods among artists and craftspeople, letterpress equipment and technology face an uncertain future.

The aim of the ERC project Beasts to Craft (B2C) is to document the biological and craft records in parchment in order to reveal the entangled histories of improvement and parchment production in Europe from 500-1900 AD.

The project will research how archaeological and palaeoecological narratives of past land management and climate change adaptation can shape sustainable farming, regenerative agriculture, and rewilding strategies in the Cambridgeshire Fenlands. The nationally important agricultural area is extremely vulnerable to climate change, and the mentioned strategies are considered key mitigation options.

Taking as its starting point the radically new perspective offered by recent archaeological discoveries at Rendlesham in SE Suffolk, and with the East Anglian kingdom as the primary case study, this interdisciplinary project (running 2017-2020) aims to establish a new understanding of pathways to territorial lordship and regional kingship in early post-Roman eastern England through analysis of the development and role of central-places in society, economy, politics and ideology, and the networks of which they were a part.

This project integrates maritime archaeology, history, geophysical survey and anthropology to investigate illicit trade between the Caribbean islands St. Eustatius, Saba, St. Thomas, St. Bartholomew and St. Maarten from 1816 to c.1840 with the aim of understanding:

-The entanglements between international, regional and local factors that drove these islands to engage in illicit trade.

-How these islands functioned together as a network for illicit trade, smuggling and laundering, the processes involved, and how long it occurred.

Cambridge is home to world-leading researchers across archaeological science, technical art history and heritage science, based at Department of Archaeology, the Fitzwilliam Museum, and the Hamilton Kerr Institute, among others. There are multiple synergies across these institutions in terms of research methodologies, goals and ambitions in the field of technical and scientific investigation of works of art and archaeological objects.

This project will challenge the extant model on the beginning and spread of Islamic glazes, which asserts that they were all derived from the Middle East and spread with Arab expansion, and that new technologies were adopted passively by conquered societies. It will include a variety of glazed ware types dating to the 9^th to 13^th centuries CE from different regions of Central Asia.