Research Projects in the Department of Archaeology

The bioarchaeological characterization of disabled individuals from the past is particularly challenging because it pushes the boundaries of the interpretation of pathologies recognisable on human remains. With my project, namely B-CARED, I will investigate the bioarchaeological approaches for recreating “Past to life”. In so doing, the osteobiographical approach offers a possible framework, in which human remains are used to understand not only the embodied experience during life but also seeing people as playing diverse social roles (e.g.

The aim of the ERC project Beasts to Craft (B2C) is to document the biological and craft records in parchment in order to reveal the entangled histories of improvement and parchment production in Europe from 500-1900 AD.

A multidisciplinary project investigating the interrelations between crop plants, insect pollinators, and human management in prehistory.

The last decades have witnessed marked achievements of STEM in understanding the remains of humans, animals, and plants from the past by analyzing different materials, both inorganic and organic. These developments have opened-up the great potential for increasing our understanding of cultural heritage, and hence for developing better strategies for its protection and management.

Taking as its starting point the radically new perspective offered by recent archaeological discoveries at Rendlesham in SE Suffolk, and with the East Anglian kingdom as the primary case study, this interdisciplinary project (running 2017-2020) aims to establish a new understanding of pathways to territorial lordship and regional kingship in early post-Roman eastern England through analysis of the development and role of central-places in society, economy, politics and ideology, and the networks of which they were a part.

Cambridge is home to world-leading researchers across archaeological science, technical art history and heritage science, based at Department of Archaeology, the Fitzwilliam Museum, and the Hamilton Kerr Institute, among others. There are multiple synergies across these institutions in terms of research methodologies, goals and ambitions in the field of technical and scientific investigation of works of art and archaeological objects.

This project will challenge the extant model on the beginning and spread of Islamic glazes, which asserts that they were all derived from the Middle East and spread with Arab expansion, and that new technologies were adopted passively by conquered societies. It will include a variety of glazed ware types dating to the 9^th to 13^th centuries CE from different regions of Central Asia.