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Department of Archaeology

 
Read more at: ANCESTORS: Making Ancestors: the politics of death in prehistoric Europe

ANCESTORS: Making Ancestors: the politics of death in prehistoric Europe

The above photo shows: A left lateral aspect of a cranium from Catignano (a Middle Neolithic village in Abruzzo), showing two healing trepanations on the left parietal bone and healed fracture on the left frontal and parietal bones of a 40-50 year old female

 


Read more at: Experiencing monuments. Visualization of Western European prehistoric megalithic structures

Experiencing monuments. Visualization of Western European prehistoric megalithic structures

In Western Europe the main use for artificial monuments out of stone, wood or earthy materials extends from the Late Neolithic to Early Bronze Age (4th and 3rd millennium BCE).  This unique period of landscape adaptation has a lasting, visible imprint on the present. However, as monuments are by definition visual landmarks, there is currently a lack of research regarding the perceptive clues offered by these structures to the people who built and frequented them.


Read more at: Promised: Promoting Archaeological Science in the Eastern Mediterranean

Promised: Promoting Archaeological Science in the Eastern Mediterranean

The Promised project forms a network of excellence in Bioarchaeology and Archaeological Materials Science within the Science and Technology in Archaeology and Culture Research Center (STARC) at the Cyprus Institute linked with the advanced research centres in Archaeological Science at KU Leuven and the University of Cambridge.


Read more at: The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

This project presents a comparative study of two major Neolithic painted pottery traditions situated at opposite ends of Eurasia: the Cucuteni-Trypillia culture in southeastern Europe and the Yangshao-Majiayao cultural sequence in northwest China. While their remarkably similar decorative repertoires have long been noted, this research moves beyond typological comparison to interrogate the technological practices and organisational structures underlying their production systems.