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Department of Archaeology

 
Read more at: ANCESTORS: Making Ancestors: the politics of death in prehistoric Europe

ANCESTORS: Making Ancestors: the politics of death in prehistoric Europe

The above photo shows: A left lateral aspect of a cranium from Catignano (a Middle Neolithic village in Abruzzo), showing two healing trepanations on the left parietal bone and healed fracture on the left frontal and parietal bones of a 40-50 year old female

 


Read more at: FRAGSUS: Fragility and Sustainability in the restricted island environments of Malta

FRAGSUS: Fragility and Sustainability in the restricted island environments of Malta

Study of the sustainability and subsequent radical change amongst the Maltese Temple Building populations of prehistoric Malta in the 4th and 3rd millennia BC.


Read more at: Lagash Archaeological Project (LAP)

Lagash Archaeological Project (LAP)

A new archaeological project at the ancient city of Lagash in south Iraq (modern Tell al-Hiba) began in March-April of 2019. LAP is a collaboration between the University of Cambridge, University of Pennsylvania (USA) and Iraq State Board of Antiquities and Heritage.


Read more at: Science @ Tarquinia

Science @ Tarquinia

The project Science @ Tarquinia aims to provide the complementary scientific support for the long-standing study of the ancient Etruscan city of Tarquinia by the University of Milan. This Unesco World Heritage site is well known for its magnificent painted tombs, its city walls, the Temple of Ara Regina and the monumental zone where the University of Milan has worked for over 30 years. The collaborative work (which started in September 2019) includes flotation, micromorphology, AMS dating, isotopic analysis and aDNA.


Read more at: The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

This project presents a comparative study of two major Neolithic painted pottery traditions situated at opposite ends of Eurasia: the Cucuteni-Trypillia culture in southeastern Europe and the Yangshao-Majiayao cultural sequence in northwest China. While their remarkably similar decorative repertoires have long been noted, this research moves beyond typological comparison to interrogate the technological practices and organisational structures underlying their production systems.