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Department of Archaeology

 
Read more at: "Small performances": investigating the typographic punches of John Baskerville (1707-75) through heritage science and practice-based research

"Small performances": investigating the typographic punches of John Baskerville (1707-75) through heritage science and practice-based research

At the intersection among the arts, science, and technology, printing is widely recognised as the invention of the millennium. However, and in spite of a resurgence of traditional typographic methods among artists and craftspeople, letterpress equipment and technology face an uncertain future.


Read more at: ArchBiMod – Agent-Based Modelling to assess the quality and bias of the archaeological record

ArchBiMod – Agent-Based Modelling to assess the quality and bias of the archaeological record

Archaeological data is often biased and incomplete. This is a well-known issue for most archaeologists. Although studies of specific sites and small regions can have this into account, the effect of this problem increases exponentially as archaeologists expand their chronological and geographic frame, and try to answer questions related to general dynamics and broad human processes.


Read more at: Beasts to Craft: Biocodicology as a new approach to the study of parchment manuscripts

Beasts to Craft: Biocodicology as a new approach to the study of parchment manuscripts

The aim of the ERC project Beasts to Craft (B2C) is to document the biological and craft records in parchment in order to reveal the entangled histories of improvement and parchment production in Europe from 500-1900 AD.


Read more at: Buckbee Project

Buckbee Project

A multidisciplinary project investigating the interrelations between crop plants, insect pollinators, and human management in prehistory.


Read more at: Experiencing monuments. Visualization of Western European prehistoric megalithic structures

Experiencing monuments. Visualization of Western European prehistoric megalithic structures

In Western Europe the main use for artificial monuments out of stone, wood or earthy materials extends from the Late Neolithic to Early Bronze Age (4th and 3rd millennium BCE).  This unique period of landscape adaptation has a lasting, visible imprint on the present. However, as monuments are by definition visual landmarks, there is currently a lack of research regarding the perceptive clues offered by these structures to the people who built and frequented them.


Read more at: IBERIRON: The Rise of Iron Technology in pre-Roman Iberia

IBERIRON: The Rise of Iron Technology in pre-Roman Iberia

A large-scale multi-disciplinary study of pre-Roman iron technology in the Iberian Peninsula.


Read more at: Metal and amber: models of raw materials circulation in the Late Prehistory of Iberia

Metal and amber: models of raw materials circulation in the Late Prehistory of Iberia

The project focuses on the models of circulation of raw materials during the Iberian Late Prehistory, as well as the use and social value given to the different materials, with special attention to metals and amber. 


Read more at: PaleoErgo: Exploring Hand-Stone Tool Interactions in Early Hominins

PaleoErgo: Exploring Hand-Stone Tool Interactions in Early Hominins

How did the biomechanics and ergonomics of the human hand influence the use and production of Palaeolithic stone tools? Traditionally, stone tools have been analyzed for their morphological properties and technological characteristics to infer the cognitive and social evolution of early hominins and modern humans. However, the role of musculoskeletal aspects in the effective use of these tools has been largely overlooked, resulting in an incomplete understanding of Palaeolithic technologies.


Read more at: The making of Islamic glazes: From the Silk Road to al-Andalus

The making of Islamic glazes: From the Silk Road to al-Andalus

This project will challenge the extant model on the beginning and spread of Islamic glazes, which asserts that they were all derived from the Middle East and spread with Arab expansion, and that new technologies were adopted passively by conquered societies. It will include a variety of glazed ware types dating to the 9th to 13th centuries CE from different regions of Central Asia.


Read more at: The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

The Socio-Technics of Painted Pottery: From Microscopic Evidence to Macroscopic Histories

This project presents a comparative study of two major Neolithic painted pottery traditions situated at opposite ends of Eurasia: the Cucuteni-Trypillia culture in southeastern Europe and the Yangshao-Majiayao cultural sequence in northwest China. While their remarkably similar decorative repertoires have long been noted, this research moves beyond typological comparison to interrogate the technological practices and organisational structures underlying their production systems.