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Explorations into the conditions of spiritual creativity in Prehistoric Malta.

See also the conference announcement—`Cult in Context: Comparative Approaches to Prehistoric and Ethnographic Religious Practices' and the list of Cult in Context seminars

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Research Aims

The general pattern of innovation in Maltese prehistoric religion has now been established from recent results. From c. 3600 BC a dramatic religious change led to the construction of some of the earliest stone monuments of the world in response to changed attitudes of belief in life and death. These innovative temple structures have been restudied in the light of modern anthropological theory. Additionally, modern fieldwork provides new knowledge of the underground mortuary structures, greatly enhancing a complementary understanding of attitudes to the afterlife. What is needed now is a further level of detailed study to provide the micro-context of these changes. Key questions we wish to pose are What precisely are the changes in the prehistoric art of the period ? and How were these elements of art inserted in the liturgical space of life (temples) and death (mortuary structures) ? To answer them we need a precisely observed catalogue of material set within an equally precisely observed architectural space together with wider comparative analysis of the Maltese context.

Methods